Charlotte Smith

Charlotte Smith's RSS:

Charlotte is a writer, sub editor and occasional translator. She has contributed to Total Theatre magazine and awards for about three years. Previous experience includes over five years as a reporter on a local newspaper.

Reviews

7 weeks 3 days ago
Kazuko Hohki, Incontinental | Photo: Alex Brenner
17 weeks 2 days ago
Baccala Clowns, Pss Pss
22 weeks 3 days ago
Ontroerend Goed, Audience | Photo: Reinout Hiel
39 weeks 2 days ago
Bunk Puppets and Scamp Theatre, Swamp Juice
39 weeks 2 days ago
Frisky & Mannish, Pop Centre Plus

Blogs

39 weeks 3 days ago

That’s me. Not in the photo, although perhaps I have morphed into a giant triangle, illusion or rewind button during the Edinburgh festival, and not actually noticed. But in the Scots sense of ‘that’s me done’, ‘I’m out of here’.

A brief tally: 19 reviews, five blog entries, over 40 trains, three two-hour meetings and one lasting a good five hours, one birthday, one babysitting session, zero romance, eight low-calorie energy drinks… how much information do you want?

39 weeks 5 days ago

Sometimes the Edinburgh festival gets a bit suffocating. Whether it’s artistic differences, Fringe fatigue, illness or something worse, there’s no point suffering in silence. So here are some possible escape routes from the festival bubble.

40 weeks 6 hours ago
No Credit with Czech company Cirk La Putyka

As the international festival opens, I've been pondering cultural differences.

Edinburgh International Festival caused a little controversy by accepting money from the Chinese government this year. 'Festival under fire for China's key cash role' is the headline in The Scotsman today. It reports that human rights organisations have criticised the organisers in the wake of China's crackdown on dissidents such as Ai Weiwei.

40 weeks 2 days ago

I’ve been told to keep it general and a bit mysterious when it comes to describing the work behind the Total Theatre Awards. Discussions at the assessing meetings, at which we share our thoughts on productions, are confidential. However, it also seems worth giving a little insight into what goes on behind the scenes.

Each year, a team of assessors sifts through hundreds of shows that have been nominated. Over the first fortnight of the Fringe, one, two or more people will see the piece at different times, depending on the initial feedback.

In print

Regulars