Edinburgh Festival Fringe

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Edinburgh Festival Fringe

A showcase of nascent work and regrettable work, a needle-haystack challenge, a study in crowdflow, a desperate market, a web-like layering of networks, a seething pit of day and night iniquity, a city of theatre – as the world's largest arts festival the Edinburgh Fringe has it all. Go at least once, go early, book early, brace yourself.

Reviews

Richard Lavery 36 weeks 6 days ago
Shams, Thin Ice
Joelson Gusson 37 weeks 9 hours ago
The KTO Theatre 2, The Blind | Photo: Sławek Jedrzejewski
Dorothy Max Prior 37 weeks 3 days ago
Teatro Sineglossa, Remember Me
Joelson Gusson 37 weeks 3 days ago
Side Pony, The Pride
Dorothy Max Prior 37 weeks 3 days ago
Teatr Biuro Podróży, Planet Lem

Blogs

38 weeks 4 days ago
XXXO

So where was I? Ah yes – the Total Theatre Awards shortlist meeting, and having 28 shows to see in a week, above and beyond the things I already had booked.

39 weeks 3 days ago
neTTheatre, Puppet. Book of Splendour

So, I’ve made it to the halfway point and more – that feels like something! And the Total Theatre Awards shortlist is done. Just 28 shows to see and judge, then, plus all the late-opening shows / shows I’ve promised myself or someone else I’ll see even if not shortlisted…

And the story so far?

41 weeks 4 days ago
Hunt and Darton Cafe – Escalator East to Edinburgh

So, here I am in Edinburgh, on the eve of the opening of the Fringe – it officially kicks off tomorrow, Friday 3 August. Today was planned as a quiet, settling in sort of day. Two shows booked to review (some have opened early), and maybe a bit of networking and organising. This is how it went…

1 year 38 weeks ago
Curious the moment I saw you...

It was a chance remark from a friend that started me thinking. We were discussing the dilemma for contemporary 'liberal' parents in choosing whether to send children to private school or to throw them to the sharks of state education in the inner London boroughs, and this somehow moved on to a discussion about the number of people in positions of power in theatre who have been educated in the public school system.